I first experienced Bontecou's work at MoMA Queens in 2004. I was initially struck by the tactility of the work and her use of materials - felt, metal, clear wire, canvas. Bontecou's compositions range from kinetic whimsy to Star Wars inspired wall art (in a good way), but each piece, for all its tactility and three dimensional qualities, works remarkably in two dimensions. Take the press image that the Museum chose for the exhibition:
At first glance, this could be the work of a (very) talented graphic artist. It is actually a photograph of one of Bontecou's kinetic sculptures (Untitled. 1980-98), which also happens to be the centerpiece of the exhibition. Don't get me wrong - seeing this piece in the flesh is breathtaking, but I wouldn't mind hanging this print on my wall either.
Some might say that all great sculpture works in 2D - art in the round means it should present well from any angle, however flat, right? Fact is that few sculptors cross the graphic divide so easily. Let's just say that Bontecou's sculpture exceeds the qualification of photographing well.
As has been my fate recently, writing about these events takes the place of actually attending them. If you're in NYC this summer, check it out and tell me what you think.
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